24 August 2010

ruthless (28.09.08)



my father's mother died 9 years ago tomorrow.

i've spent the past 9 years waiting for her to call me back.

grandma ruth. my first memories aren't so much of her but of the huge cardboard boxes she would send. boxes polluted by the cigarette smoke that hung in the air of her two-room trailer like the heat trapped in a parked car. they had to be detonated, opened and aired out on our door step. smoking cauldrons from whence homemade treasures and barbie dreamhouses would later emerge.

things like that didn't happen at gran and paw-paw's, where we ate watermelons, played croquet, and held hands when we prayed. even then, it was so obvious. grandma ruth's world was worlds away.

she was my auntie mame. loud and colorful and divorced. she had been to greece. she said things you weren't supposed to say and she said them with sweeping, dramatic hand gestures. whenever she blew into town in aqua capri pants and a blaze of marlboro smoke, life seemed more exotic. birthday cakes melted. my hair was braided. we ate chinese.

to me, she was a celebrity. except she was from binghampton, new york. binghampton. hollywood. both places so far away to my little kid mind that they might almost be neighbors. like on a flat map, how russia couldn't seem further from alaska's back yard...

i saw her maybe seven or eight times that i remember. the longest stretch being the summer before she died, when i camped out on her pull-out sofa over 4th of july, cramming on russian verbs. we went to denny's four times in two days, because in binghampton, denny's was what you did.

she had given up smoking by then and as we sat in plastic lawn chairs drinking tea, she gestured with a fake, styrofoam cigarette, waving it about for emphasis. i remember being struck by the fact that it was the first time i had really seen her. without the smoke, there was no need to squint.

then i graduated and went to college and didn't call her nearly enough and suddenly, a month later, she was gone.

which is something i have still yet to fully grasp. in my head she's up in binghampton, in the same trailer, going to denny's and smoking up a storm. how could she not be?

in drop dead gorgeous, the neighbor loretta reminds me of her and i always think, i should really call grandma ruth. i don't. but i always think it.

when i was a kid, my family had this dog. the Greatest Dog of All Time. arthur. say his name all these years later and it's like we're instantly transported to that moment where we sat on the garage steps on a dark february night and came to the unanimous family consensus that we had to let arthur die. it's pretty much just assumed now that for the rest of our lives we will be in deep mourning for that dog.

i've done a dangerous thing here. i've set up a contrast between my grandmother and a dog.

but here's the (other) thing that makes me a bad person. i didn't feel that way about grandma ruth. i tried but i didn't. for me, there was no mourning. her death lacked immediacy. probably because The Call came far before any of us had begun to prepare to expect it.

she never seemed fragile. she never fell apart. we've been locked into a who knows how many years-long deathwatch for my gran and paw-paw since 1995, but grandma ruth was tough. she could take it. she was too alive to die. and then she did.

the only time i really felt her absence was at her memorial service the following summer, and only then because i knew she would be pissed we were having a party without her.

i was in mississippi when she died, beginning one of the not greatest years of my life and already well on my way to a D in chemistry. suddenly everything was different but nothing had changed.

the raspy voice on the other end of the phone had gone silent.

my parents went to new york without me.

our cat died.

things fall apart.

my mum and i have only talked about this time once. years later. at the intersection of hacks cross and poplar pike, while we waited for a train to pass, out of the blue she asked if i was ok about grandma ruth. i said yes. it seemed a little late to say no.

it's not that i didn't love her. that i don't love her still. that i don't miss her. no. it's like she isn't gone. like i said something she has yet to forgive me for and she won't call me back.

at concerts, i'll catch a whiff of marlboro smoke and turn around to look for her. as though a gogol bordello show were a likely venue for grandmotherly resurrection.

waiting for graduation at the u of c, as the bagpipes started and croftie said her pithy thing, a flash of fury ran through me that my grandmother didn't even think to show up. then i remembered why she wasn't there.

when i think about it, when i really really think about it, i can't stand the silence. but then, i shouldn't expect anything.

she wrote me a letter the day before she died. it came the friday after.

she had the last word.

i'm leaving town, baby, i'm leaving town for sure (12.04.07)

an extremely tedious exercise in writing about my homeland,
which commenced in april 2006 and still doesn't say what i want to say
but i am sick of trying to say it, so for what it's worth, here it is-
a lot of half-assed words really saying not much of anything at all about memphis.


during maph, a girl in one of my editing groups got to bitching about the south. she used the term "backward." she was talking about alexandria, virginia. i wanted to slap her and say, honey, you'd think mississippi was the third world, but the tall guy who never turned in his work quickly lept in to defend the charms of louisiana (because, y'know, the swamps) and the conversation turned elsewhere.

that happened three years ago and i've not forgot. maybe i never will. maybe because i kind of sort of think it's true- an admission that is akin to standing amidst the daughters of the confederacy and bursting into a rousing chorus of "while we were marching through georgia."

maybe this is the curse of the southern immigrant- one must endlessly defend the south while also harboring an extreme awareness of its inadequacies.

i adore memphis. at least i always did and even though i ran from it, i think i kind of still do. it's my homeland, but not my home. and that's a really bizarre thing.

i can't begin to explain this city to people. it's a politically incorrect, charismatic, strangely generous guy with a raunchy sense of humor and mismatched socks. you want to introduce him to your other friends, but you're pretty sure the minute he opened his mouth, they'd know he's bad news. aristotle onassis, but without the business sense or the millions- just the barstools. that's not an explanation though. it's just a string of faulty metaphors.

to me, memphis is the most restless of cities. there's a rhythm to the streets- as though the current of the river were shaking the bluffs and elvis was just humming along. while i've always loved this quality, it's like dating someone who's entirely too like you, so you just wind up driving each other mad. memphis and i are too similar. we're too tightly wound. and that makes me want to run.

and yet there are these moments and there's that river.

i called croftie once in the middle of a memphis moment, blubbering that i was driving down beale with the river ahead. i probably sounded drunk. because that means nothing to you if you're not from memphis. if you are from memphis, it means the world.

because in the end, it all comes down to music and muddy water.